Summary of Stanza 1 of the poem Archaic Torso of Apollo. Line-by-line analysis. This week’s poem is a new English translation of Rainer Maria Rilke’s sonnet ” Archäischer Torso Apollos”. “Apollo’s Archaic Torso” is by a. Archaic Torso of ApolloRAINER MARIA RILKE Source for information on Archaic Torso of Apollo: Poetry for Students dictionary.
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That is the creative agenda behind the poem “Archaic Torso of Apollo. He enrolled in the Mahrisch-Weisskirchenn Military Academy but left in before obtaining his commission.
Otherwise this stone would seem defaced beneath the translucent cascade of the shoulders and would not glisten like a wild beast’s fur: Formally, this sonnet is miles apart from Calvino’s “The Birds of Uccello. I am like a flag unfurled in space, I scent the oncoming winds and must bend with them, While the things beneath are not yet stirring, While doors close gently and there is silence in the chimneys And the windows do not yet tremble and the dust is still heavy— Then I feel the storm and am vibrant like the sea And.
This sensitivity is at the heart of Rilke’s “Archaic Torso of Apollo. The poem urges you in the first line to want to become not-you, and then, as if restating the same thing, it says in the last line that the thing you already do want but cannot have is what wants you to become not-you.
The Archaic Torso of Apollo by Rainer Maria Rilke
For these translators, high poetics will consistently trump irony. Or is the poet addressing the reader just as the torso addresses the a;ollo That the sculpture is able to observe him and judge him for the life that he has been leading. If this were not so, the bow of his breast could not blind you, nor could a smile, steered by the gentle curve of his loins, glide to the centre of procreation.
Volume I, Prosetranslated by G. The current translations are popular, accessible, and retain an underlying Rilke spirit that can still at times intoxicate. This closer version of the sonnet is still quite bold, and introduces some new elements to the original. Somehow that last line still grabs me.
On “Archaic Torso of Apollo” | Academy of American Poets
In the scenes of their vases … the surroundings … are only mentioned … but the naked human beings are everything, they are like trees bearing fruit … and like springs in which the birds are singing. In “Death in Venice,” Mann presents the story of an artist who encounters such beauty that all the values of his past are challenged and undermined.
I feel something has taken place that I am and am not archhaic for. We cannot know his legendary head with eyes like ripening fruit. Both Rilke’s defaced stone and Calvino’s painted soldiers are destroyed by the imaginative extensions of absence: An object of art, like a poem or a sculpture, for Rilke, is a particular expression of a particular truth.
Retrieved December 13, from Encyclopedia. The French sculptor, Auguste Rodin torsoo,changed the course of sculptural representation, presenting the art of sculpture at a level of heightened realism that had previously been lacking. One wonders to whom the word “you” actually refers. When we confront a great work of art, a great work of the spirit, we feel something, but how difficult, how impossible it is to say what it is.
Archaic Torso Of Apollo Poem by Rainer Maria Rilke – Poem Hunter
But nevertheless let me say that this translation comes as close to the words Rilke wrote as a translation could possibly come. This excellent anthology is predominantly a collection of nineteenth-century French poetry, one of the significant literary influences on Rilke. While there we had a number of tors plays put on and published two additional collections of poetry.
He is both beautiful and dreadful. The Greek representation of the body in art shows the way the Greeks saw and thought about the body. When he left St.
For Rilke, a aplllo is defined less as the practitioner of a craft apol,o as the possessor of an exceptional sensibility that informs the craft. Or of terroir driven wine traditions into the Mondovino international style. I still have much to discover from him, which is exciting. How did the translucent waterfalls get in here? With the help of his uncle, who realized that Rilke was a highly gifted child, Rilke left the military academy and entered a German preparatory school.
In he became the friend, and for a time the secretary, of Rodin, and it was during his twelve-year Paris residence that Rilke enjoyed his greatest poetic activity.